An exhibition of 537 painting was displayed upon the opening of the museum on 10 August 1793. Most of these paintings were either royal or from the confiscated property of the church. The building remained closed from 1796 to 1801 due to structural problems. Under the rule of Napoleon Bonaparte, the museum was renamed Musee Napoleon and the size of its collection increased considerably. Most of these pieces of art were seized by his army and were returned to their original owners after his defeat at Waterloo. Under the rules of Louis XVIII and Charles X, the collection gained more in size. The museum also gained 20,000 pieces of art in the Second French Empire. Since the starting of the Third Republic, the holdings have grown at a fast pace due to all the donations and gifts given to the museum by different people and organizations.

By 2008, the museum was divided into a total of eight curatorial divisions namely Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings. Upon the opening of the museum in 1793, the public was given free access for 3 days of every week. The public perceived it to be a major accomplishment and appreciated the kind gesture. To increase the size of the collection, the Republic decided to dedicate 100,000 livres per year and in 1974, the revolutionary armies of France began to bring pieices of art from across Europe.

The early days of the artists were very chaotic. The condition of artists in that era is described with the artists living in residence and paintings without any label hanging from floor to the ceiling. After being closed for having structural problems, it reopened on July 14^th, 1801. The paintings were arranged chronologically and the building had new lightning and columns. Even though the use of still and video cameras is permitted inside the museum, using flash with them is not allowed.

Childhood
His father, Louis Auguste Cezanne, a native of Saint-Zacharie ( Var ), the owner in Aix-en-Provence ( Bouches-du-Rhone ), a descendant of small artisans (weavers, blacksmiths, etc..) spotted in Marseille since the end of xvi th century , has a hat on the Cours Mirabeau . The family is relatively easy and the father creates a bank, a first in June 1848 , 24, rue des Cordeliers one , setting it transfers to 1856 13 Street Boulegon 2 , to which he gave the name “Cézanne and Bank Cabassol “in its own name and that of his partner.
Beginning in the career of painter
Paul Cézanne attended the College Bourbon (now Mignet college), where he became friends with Emile Zola. He reluctantly began studying law at the University of Aix . He studied at the School of Drawing in Aix-en-Provence landscape and a workshop in Roi Rene , home that her father bought it. He went once to Paris in April 1861, driven affiliate marketing ebook by his friend Emile Zola, but there is only a few months and returned to the family estate in the fall, ushering in a series of round trips between the city light and Provence.
In 1862 , he abandoned the legal profession and settled in Paris. He works at the Academy Charles Suisse , where he met Camille Pissarro , Pierre-Auguste Renoir , Claude Monet , Alfred Sisley and other Aix, Emperaire Achilles , which he would later portrait, still famous. It is denied to the School of Fine Arts because of a time deemed too excessive.
The hidden connection with Hortense
During the year 1869 he met Hortense Fiquet, with whom he had locksmith a son in January 1872 . It will hide the route and the birth of his father, Louis-Auguste Cezanne, who, opening mail from his son Roi Rene , it is not learn grandfather in 1876 . So it will accept the marriage of his son Roi Rene in April 1886 , just months before his death in October of that year. Paul moved to L’Estaque , a small village on the coast, when not in the capital.
Auvers-sur-Oise
In 1872 , he moved to Auvers-sur-Oise , where he painted with Pissarro and works in the house of Dr. Gachet . In 1874 , the Impressionists organized their first exhibition in the studio of photographer Nadar and the public a warm bleak, even shocked, to paintings by Cezanne that has three ( A Modern Olympia , The Hangman House and Study Landscape Auvers ). It has no table in the second Impressionist exhibition, but shows 16 works in 1877 to the third event. Critics are very mixed and it leaves the group and joined the Impressionist Provence from 1882 , first at L’Estaque, then Gardanne in 1885 , a small village near Aix. There he began his cycle of paintings on the Montagne Sainte-Victoire , which he represented in approximately 80 works (for half the watercolor ). His financial situation remains precarious, especially since his father’s declining support.
Disagreement with Emile Zola
In 1886 , he broke all contact with Zola who sent his novel “The Work” (telling the story of a painter chased and cursed by fate unable to complete his Chrome Wire Shelving “great work”) that the painter inspired 3 . On April 28 , he married Hortense 4 . The same year his father died, 100 day loans leaving a legacy that what is road rage is comfortable financially secure.
His first solo exhibition, organized by the art dealer Ambroise Vollard in 1895 in the absence of the painter, still faces public misunderstanding, but earned him the esteem of artists. His fame became international and won in Brussels with great success at the exhibition of the Independents. It is built in in 1901 – 1902 a workshop on the outskirts of Aix workshop Lauves.
The last years of Cézanne
From November 1895 , Cézanne rented a cottage for Career Bibémus order to store its equipment and paint his paintings and where he spent much of his time and even his nights 5 , 6 , until 1904 6 .
In October 1906 , when he painted on the ground, in the Massif de la Sainte-Victoire, a violent storm descends. Cezanne discomfort. He is rescued by the carters and filed in his house in the payday loan Rue Boulegon at Aix, where he died, the 22 , died of a pneumonia .
His work

Among the painters of the xix th century century grouped under the label ” Impressionist , “Cezanne’s work is beyond Impressionism and probably the most difficult and one that was and still is the worst understood and even more controversial. It is his artist friends, including Pissarro, Renoir and Degas who knew the first best web hosting to detect and recognize his electronic cigarette intentions qualities. Pissarro wrote:
“While I was admiring the curious, disconcerting Cezanne I feel for many years, arrived Renoir. But my enthusiasm is that of St. John next to that of Renoir, Degas himself undergoes the charm of wild nature refined, Monet, all … are we wrong? … I do not think so … The only ones who do not experience the charm, are electronic cigarettes the very artists and amateurs who by their mistakes show us that they lack meaning. Moreover, they mention all logical faults we see that glaring, but the charm … they do not see it … As Renoir said to me quite payday loan rightly, there is an indescribable something analogous to the things of Pompei so crude and so admirable … ”
- Letter to his son Lucien Pissarro, the November 21, 1895
Cézanne painted about three hundred paintings 7 .
From 1862 to 1870 called Cezanne that date in his verve and south, with a little exaggeration, the “period couillard” and that historians call the Romantic period or phase baroque, baroque influenced by Italy and Spain (Ribera , Zurbaran), the Caravaggio churches or Aix Granet museum’s collections, or by Eugène Delacroix , Courbet and Manet . Cezanne is then expressed usually in a thick paste, with a dark palette and cameos: Bread and Eggs (1866), Portrait of Louis-Auguste Cézanne (1866), head of an old man (1866), Antony Vallabrègues (1866), La Madeleine (1868-1869), Achille Emperaire (1868-1869), A Modern Olympia (1869-1870), Still Life in the kettle (1869), Still Life at the clock black .
Then comes the period “impressionistic”, under the influence of Pissarro , with whom he moved to Auvers-sur-Oise, around 1872-1873. He attended Van Gogh , Guillaumin and Dr. Gachet. In his works of that time, free ipad tone, by touches still thick but more subtle than in the Romantic period, replaces the classical model: Hangman’s House (1873), The Road to Auvers Village (1872-73), The House of Dr. Gachet (1873).
Already ahead in the Impressionist period, other concerns that the removal of the Impressionists own research, without ever denying the lesson of coolness, vibration and light colored that they brought to the painting of their time. At home, the modulation of color now looking more express pay day loan volumes as atmospheric effects and brightness. Renoir said, referring to the art critic Castagnary “It enrages me to the idea that he did not understood that “A Modern Olympia” of Cézanne (as amended in 1873) was a classic masterpiece closer to Giorgione as Claude Discount Judaica products Monet and had before him the perfect example of a painter already out of Impressionism. ” 8 is still a lack of understanding that brings Renoir to Cézanne Emile Zola when iPhone Unlock he confided his concern to “find the volume” Zola tried to show him the vanity of such research. “You are gifted. If you only Relevant Life Policies wanted to treat expression. Your characters wedding ring express nothing! “One day, Cézanne became angry:” And my butt, do they express something? ” 8 .
“Find the volume,” that was the obsession of Cézanne, “do Poussin after nature, “” something solid like the art museum 9 . ”
This great design is a technique of his personal Cézanne wants to achieve it. This technique, writes Leon Gard , painter and writer Art xx th century , “wants to solve the problem without resorting to paint using the line-drawing, or to that of chiaroscuro . As he says himself, he wanted by the speckling, combine the problems of design and modeling, joining the old painter of The Unknown Masterpiece by Balzac who exclaimed: “The design does not exist “, meaning thereby that a work of painting everything has to be expressed, drawing and values, the only modulation of color 10 . ”
Jon Kear has also made ​​the connection between the representation of the nude in Cezanne and the news of Balzac by emphasizing the similarity between Cézanne’s attitude and that of the vps hosting old painter Frenhofer, while the young Poussin and Pourbus attend its unraveled with the total expression 11 .
We see this tendency to assert 1880: include the bridge Maincy (1879), L’Estaque , the self-portraits and still lifes of the Musée d’Orsay , those of the Hermitage Museum and Philadelphia, The Holy Mountain -Victoire seen from Bellevue (Metropolitan Museum), The Plain at the foot of Mont Sainte-Victoire and The Banks of the Marne (Pushkin Museum).
Cézanne engage even further along this path which ends in 1906 on “reason”, never ceasing to recommend the nature: “The real and valuable study to be undertaken is the diversity of cash advance online the nature of the table “” I always come back to this: the painter must devote himself to the study of nature, and try to produce tables that are teaching. ” 12 But he was aware of the challenge he needed for himself and probably held him often: “It is not too scrupulous nor too sincere or too subject to nature, but it is more or less master of his model and especially its means of expression 13 . “. In fact, he complains that “the sensations that give colored light are at home because whole life insurance quotes of abstractions that did not cover his canvas, or to continue the delineation of objects when the contact points are weak, delicate” 14 . By discipline, Cézanne does not “based” ever: hence the appearance of incompleteness presented some studies of the Montagne Sainte-Victoire, or abruptness, daunting for the layman of his characters, or even informed of bathers or bathers which is the lack of models in the right place. “On the other hand, plans are falling over each other” 14 , admits it. Cezanne is that the formula is of ambition.
“Practically, Gard said Leon, it’s almost a dream to want to apply this formula to the letter, as it still faces the imperfection and the limit of the material with which you always cheat. However, it is perilous to follow this grand theory when there is no exceptional gifts, it is clear that Cezanne, whose eye was able to weigh the tones, values ​​as in milligrams, can create masterpieces, and even lead to failures that are superior to the success of most other painters 15 . ”
In an interview custom t shirts with Denise Glaser 16 , Salvador Dali said of Cezanne: “The worst painter of France called Paul Cezanne is the clumsiest, most devastating, the one who plunged into modern art the m. .. who is to engulf us … ”
Still Life
Still Life with Apples and Oranges (1895 to 1900. Orsay Museum)
For Cézanne, the still life is a pattern like any other, equivalent to a human body or a mountain, but that lends itself particularly well to research the area, the geometry of volumes, the relationship between colors and shapes ” when the color is in power, the form is in its fullness “he said.
Misunderstood in their fender flares time, they then become one of the characteristics of his genius.
On the death of Cézanne, some painters who want to create new movements demanded of him. The most notorious is that of the Cubists . Despite all that has been said and written, it remains doubtful that Cézanne had acknowledged his paternity. grants It is hcg diet plan no longer there to answer, but his correspondence preserves some phrases that you can meditate, for example, this: “Beware of the literary mind that is so often the painter departing from its true path – the concrete study of nature – to get lost too long in intangible speculation. ” 17 .
Paul Emile and the Work

“Paul may have the genius of a great painter, he will never have the genius of the future. “As Emile Zola announced he drama of Paul Cézanne, still dissatisfied with his work. The writer goes further: Claude Lantier, the central character of the Work , a novel published in 1886 , is close to Cézanne by the appearance and character. Zola is a failed painter, yet the new head of school “Outdoors” Claude ends up committing suicide. In a way, the novel can be read as a revenge of literature on painting and the description of the group of artists turned to caricature. Manet , which caused a scandal at the Salon des Refuses in 1863 , could also serve as model for the novelist. However, Cézanne believed to recognize in this painter wounded, he responded to a letter from Zola cold politeness which put an end to their friendship. The contacts between the two artists back to 1885 , after the publication of “The Work” . Cézanne left Medan where he was received by the couple Zola. They meet again despite some opportunities to meet in Aix-en-Provence where the painter has withdrawn. Cézanne is more comfortable in the new world of the writer who, from 1888, will see his life complicated by his relationship with Jeanne Rozerot. In 1891 , the discovery of this connection by his wife, Alexandrine Zola, and the two children who were born in the atmosphere will tend the couple through difficult times until 1896. Zola then engage in San Diego Homes For Rent the Dreyfus Affair until his death in 1902. These years, very disturbed, not facilitate the approximation of two childhood friends. It seems that Paul Cézanne has suffered when taking into account the grief his demonstrated the announcement of the death of Emile Zola and the inauguration of hcg drops a statue in the image of the writer beginning of 1906 .
Some of electronic cigarette review his works

On the dui lawyer chicago other Wikimedia projects:
“Paul Cézanne” on Wikimedia Commons (multimedia resources)
“Paul Cézanne” on Wikisource (free library)
Copy by Cézanne in the Louvre ‘s meal at Simon of Veronese 1860-1870
Achille Emperaire , painter , (1868), oil on canvas, 200×210 cm, Musée d’Orsay , denver auto accident lawyer Paris
Still life with kettle , (circa 1869), oil on canvas, 64.5 x81 car transport company cm, Musée d’Orsay , Paris
The Black Clock , (1869-70), 54×73 cm., Private Collection
Pastoral or the Idyll ( 1870 ), oil on canvas, 65×81 cm, Musée d’Orsay , Paris
Hangman’s chiropractic marketing House ( 1873 )
Self Portrait , (1873-1874), oil on canvas, 64×53 cm, Musée d’Orsay , Paris
Madame Cezanne in a Red Armchair , c. 1877, oil on canvas, 72.4 x55, 9 cm, Museum of Fine Arts, Boston
The bridge or the bridge Maincy , (1879), oil on canvas, 58.5 x72, 5 cm, Musée d’Orsay , Paris
Farmyard at Auvers ( 1879 -80), 65×54 cm., Musée d’Orsay , Paris
Apples and biscuits , (1879-1882), oil on canvas, 46×55 casino cm, Musée de l’Orangerie , Paris
Plateau de la Montagne Sainte Victoire , (1882-1885), oil on canvas, 60×73 cm, Pushkin Museum , Moscow
L’Estaque , to the Gulf of Marseilles , (1882-1885), oil on canvas, 56×47 cm, private collection
Vase of flowers and apples, (1883-1887), oil on canvas, 65×81 cm, Musée d’Orsay , Paris
The aqueduct , (1885-1887), oil on canvas, 92×73 cm, Pushkin Museum , Moscow
Chestnut and firm of Jas de Jester , (1885-1887), oil Denver Divorce Attorney on canvas, 65×81 cm, Pushkin Museum , Moscow
Bridge over the Marne at Creteil , (1888), oil on canvas, 71×90 cm, Pushkin Museum , Moscow
The Kitchen Table (Still Life with Basket) (circa 1888), oil on canvas, 65×81 cm, Musée d’Orsay , Paris
Shrove Tuesday , (1888), oil on canvas, 100×81 cm, Pushkin Museum , Moscow
Madame Cezanne in a Yellow Chair (1888-1890, Fondation Beyeler in Riehen Switzerland)
The Card Players , (1890-1892), oil on canvas, 47.5 x57 cm Musée d’Orsay , Paris
Bathers , (1890-1892), oil on canvas, 60×82 cm, Musée d’Orsay , Paris
Bathers (1890), oil on canvas, 33 x 22 cm, Museum of Fine Arts , Lyon
Woman with coffee , (1890-1894), oil on canvas, 130.5 x96, 5 cm, Musée d’Orsay , Paris
The Boy in the Red Vest , (1893-1895), oil on canvas, 81.2 x65 cm, Private collection
Onions and Bottle (Still Life with Onions) (1895-1900), oil on canvas, 58.5 x72, 5 cm, Musée d’Orsay , Paris
Joachim Gasquet , (1896-1897), oil on canvas, 65×54 cm, Narodni Gallery , Prague
Peasant blouse in blue , (1895-1900), oil on canvas, 81×65 cm, Christie’s , London
Apples and oranges , (1895-1900), oil on canvas, 74×93 cm, Musée d’Orsay , Paris
Still Life with Onions , (1895-1900), oil on canvas, 63×80 cm, Musée d’Orsay , Paris
Smoking leaning , (1895-1900), oil on canvas, 92×73 cm, Pushkin Museum , Moscow
Onions and Bottle (Still Life with Onions) (1895-1900), oil on canvas, 58.5 x72, 5 cm, Musée d’Orsay , Paris
The smoker , (1895-1900), oil on canvas, 92×73 cm, Pushkin Museum , Moscow
The red rock , (1900), oil on canvas, 92×68 cm, Musée de l’Orangerie , Paris
The Black Castle , (1904-1906), oil on canvas, 73×92 cm, Musée d’Orsay , Paris
Montagne Sainte Victoire , (1906), oil on canvas, 81×65 cm, private collection
Rock Bibemus , (1900-1904), oil on canvas, 65×64 cm, Musée d’Orsay , Paris
Old Woman with Rosary , (1896), National Gallery , London
La Montagne Sainte-Victoire and Chateau Black , (1904-1906) Faure Museum of Aix-les-Bains ( Savoie ) France
The Hanged Man’s House
The Hanged Man’s House , Paul Cézanne.
The Hanged Man’s House is a work that was presented by Paul Cezanne among three of these works during the first exhibition Impressionist of April, boulevard des Capucines, in an apartment lent by the photographer Nadar .
Its rating
Curtain, jug and fruit bowl was sold in 1999 for $ 56.41 million euros, which is the fourth highest bid ever achieved for a table.
Kettle and fruit was sold in December 1999 for $ 44.67 million euros.
Still Life with Green Melon watercolor sold $ 25.5 million in 2007.
Appendices
a postage stamp , worth 0.85 francs representing the card players , was issued November 10, 1961 18 .
Since 2005, the University Aix-Marseille 3 is called Université Paul Cézanne Aix Marseille 3 .

Biography

Son of a notary, young Ambrose left his native island to attend school in Montpellier , but in Paris it will eventually his right . He developed a passion for painting that led him to open his gallery from 1890 . He opened his first gallery in Paris in 1893 .
Vollard then exposes many major artists such as Gauguin and Matisse , the latter in 1904 . He attends many others, including Paul Cézanne and Renoir , who paint his portrait , and the Nabis . He became a friend of Maurice de Vlaminck and contributes greatly to its recognition.
In 1898 , Pierre Bonnard , Ker-Xavier Roussel and Edouard Vuillard perform at the request of lithographs in color. Vollard starts at 1889 in the editing and Bankruptcy publishing many poets in collections illustrated by many great masters. It tries to launch in 1895 a review, The Modern Print , which will know only one number.
Commemorative plaque of 7, rue des Grands-Augustins .
It takes place at home in June 1901 the first exhibition of Pablo Picasso , a young Spanish painter in Paris recently installed (and also painted his portrait). Vollard also publish several sets of prints by Picasso, including The Unknown Masterpiece by Balzac in 1931, and especially the Vollard Suite 3 , consisting of one hundred boards conducted between 1930 and 1937.
He met Alfred Jarry . Upon contact, he discovered writer commits and including several Ubu during the First World War with its colonial Ubu .
It would be [ref. needed] also led to collaboration between Richard Guino and Auguste Renoir.
In 1914 , war forced him to close his Paris gallery. For security reasons, he transferred his paintings in the region of Saumur . He did not reopen in 1919 after the end of hostilities. However, it is expelled from the gallery because of the piercing of the Boulevard Haussmann in 1924 , which forced him to move to the 7 th arrondissement .
On August 23 , 1939, The Reunion announces the death of Ambroise Vollard in a car accident shortly after his 73 years.
Awards, honors and tributes
1911 : Officer of the Legion of Honor
His name was given to a theater of Saint-Denis de la Reunion and his band, as well as a high school in St. Peter’s Reunion 4 .
Posterity
Not having taken care to make a will, his priceless collection of several thousand works is scattered. Some of his paintings are in major museums around the world or in private collections, others evaporate forever [ref. needed] .
A spa covers small part of his collection is the museum Dierx Leon de Saint-Denis de la Reunion, donation of Ambroise Vollard in 1912 and donated his brother in 1947.
Some 170 pieces were collected in 2007 at the Musée d’Orsay on the occasion of the exhibition “From Cézanne to Picasso, Masterpieces from the Vollard Gallery” 5 , 6 .
One hundred and scrabble word finder forty pieces of his collection, found in a bank vault, were sold in June 2010 by Sotheby’s 7 .
Publications

Ubu colonial
Pere Ubu in the war
Memories of an art dealer
By listening to Cezanne, Degas, Renoir , preface by Maurice Rheims
References

1949: major work of Degas, from the collection of Ambroise Vollard , Galerie Charpentier
1999: Art Dealers of Daniel Wildenstein with Yves Stavridis, Plon
2000: The Collection of Ambroise Vollard museum Dierx Leon- Jean-François Rebeyrotte, photographs by Jacques Kuyten, Somogy
2007:
Ambroise Vollard, a dealer of art and treasures of Isabelle Cahn, Gallimard
From Cézanne to Picasso: Masterpieces from the Vollard Gallery of Anne Roquebert, Ann Dumas, Douglas-W Druick and Gloria Groom, Musée d’Orsay
Ambroise Vollard was Jean-Paul Morel (biography with a choice of texts Ambroise Vollard and testimony and documents), Fayard

History

In 1802, the Earl of Orglandes built a mansion at 76 Rue du Faubourg Saint-Honoré in the 8th arrondissement of Paris (almost opposite the Elysee Palace). In 1821 he sold it to Colonel Andlau of Orvillers. On an unknown date, the hotel becomes the property of the family-Mouthier Dehayin. The collector Jean Charpentier succeeded this family, and gradually, the public is allowed to visit the collections in a gallery housed in the main courtyard. In 1924 an exhibition is organized by Géricault Jean Charpentier. After the dissolution of the society of Galeries Georges Petit , the prestige auctions are held in the Hotel of John Carpenter . Other exhibitions are held in such places as the first Salon of New Realities . In 1941, a posthumous exhibition of works of Émile Bernard proposed the Parisian public. In 1948 Raymond Nacenta becomes the owner of the gallery, and new exhibits and memorabilia auctions are held. In early 1960, the City of Paris agrees with Paris auctioneers favorable terms for leasing the Palais Galliera , which became the fashionable place for vacations prestigious works of art. Subsequently, the former premises of the gallery Charpentier were the Paris headquarters of the company Fives-Lille 1 , who showed his mastery of the use of steel in place by installing the gallery offices particularly Bins standardized. In the late 1980′s , parts of the Faubourg were leased to Pierre Cardin , who installed a restaurant. Subsequently the premises were leased to Sotheby’s France that changed in respect of the building denver martial arts site.
Exhibitions

From 1942 solar power to 1965 the Galerie Charpentier was an exhibition policy rather ambitious and innovative.
List of exhibitions that led to the publication of a catalog 2 :
1942-1943, Flowers and Fruits from the Romanticism
Autumn 1943
1943 Parisian scenes and figures
The 1944 watercolor romantic and contemporary
1944 Family life
The 1945 Watercolour
1945 Landscapes of freshwater
1945 Landscapes of France
1945 French Portraits
1946 100 masterpieces of the painters of the School of Paris
1946 The Silent Life
1947 Beauties of Provence
Landscapes of Italy 1947
1947 KX Roussel
Dunoyer de Segonzac 1948
1948-1949 Dance and Entertainment
1950 Portraits of Women
1952 Salon des Tuileries
1953 Figures of naked French School
1954 Bread and Wine
Pleasures of the 1954 campaign
1954 School of Paris
Discover 1955
1955 School of Paris
1956 Vlaminck’s work
1957 School of Paris
1957 100 Masterpieces of French Art
1958 School of Paris
1958 100 paintings by Modigliani
1959 100 Utrillo paintings
Bonnard 1960 Private collections in de Staël
Gauguin 1960
Dunoyer de Segonzac 1960 (50 years of chiropractic marketing painting)
1961 Henri Rousseau
1961 100 paintings of Jacques Villon
1962 French Criminal Attorney Chicago Celebrities
Gardens of France 1963
1963 Treasures of Bulgarian Museums
1964 Surrealism
The 1964 Gemmaux by Pablo Picasso
Gardens and Flowers 1965

A family of art dealers

Daniel Wildenstein was born into a family of STD Testing art lovers. His grandfather Nathan Wildenstein, the son of a rabbi, born in Fegersheim locksmith in Alsace in 1852, had started selling paintings of xviii th century in the year 1870 , first to free auto insurance quotes Carcassonne and then to Paris at 46 rue du Faubourg Saint-Honoré in 1890 and 1905 in the rue La Boetie , at number 57, and a gallery for his son to 21 in the same street. Nathan died in 1934, leaving engagement ring the legacy to his son George (1892-1963) who will forward it to Daniel. It had two son, Alec (1940-2008) and Guy (born in 1945 in the U.S.) who now runs the family business one . A delicate matter of succession, pitting the two son and the widow of Daniel, Sylvia, in the news for several years worldly International 2 .
An International auctions online History

At the beginning of xx th century century, Wildenstein & Co sets up in New York and London . Daniel Wildenstein studied at the Sorbonne and started as a responsible public demonstrations of the Jacquemart-André Museum in Paris and the Museum of the Abbey of Chaalis in Ermenonville forest . Among the exhibitions he raised included: Drawings and manuscripts of Leonardo da Vinci , The Second Empire of Winterhalter for Renoir , Victor Louis in Warsaw and Masterpieces of Toulouse-Lautrec .
A remarkable collection

From 1963 to 2001, Cell Phone Accessories he led the Gazette des Beaux-Arts , an institution created a century ago and owned by his family for thirty years. The prestigious journal has disappeared in 2002. In the same vein, Wildenstein creates with his sister Miriam Pereire, in 1970, a foundation of art history, the Wildenstein Institute , which publishes the catalog of many artists, including the full catalog of works by Claude Monet , and which is the beginning of the wow gold xxi th century a clearinghouse of art history to the forefront, with over 400,000 books . In the 1960s, Wildenstein had closed its offices in Paris and made ​​New York the headquarters of his business.
In 1971, he became a free member at the Academy of Fine Arts in chair No. III.
Wildenstein had a remarkable collection of paintings by impressionist although it does not limitata this period. In 1978, his collection is made ​​up of 20 including Renoir , 25 Courbet , 10 Van Gogh , 10 Cezanne , 10 Gauguin , 2 Botticelli , 8 Rembrandt , 8 Rubens , 9 Greco , 5 Tintoretto , and a large amount of Bonnard recovered by defending Bonnard’s children against the family of the late Mrs. Bonnard they were unaware, around his estate, or a total of about 10,000 paintings .
In 1981 he donated the Marmottan Museum a collection Storage Containers of over 200 miniatures collected by his father Georges Wildenstein .
The turf

Passionate about horse racing , Daniel Wildenstein invests in both flat horses that trot. His blue coat won four times the price of the Arc de Triomphe (flat) but also twice the price of America (trot).
Passionate about the arts, his flat horses have names such as Allez France , Celebre painter , watercolorist , Claude Monet , Leonardo da Vinci , Picasso , Seurat , or Goodbye Charlie (referring to the departure of General de Gaulle business). For the trot, the most famous cocktail Jet and Kesaco Phedo .
In 2002, the Prix du Rond Point was renamed Prix Daniel Wildenstein .
The last few years

In 1993 , the Pace Wildenstein Gallery and create a subsidiary PaceWildenstein , Phen375 Review the Manhattan gallery specializing in contemporary art. The end of the life of Daniel Wildenstein is marked by numerous controversies and lawsuits, those filed by owners of works by Modigliani or Van Dongen excluded Catalogues published by the Wildenstein Institute, on the one weight loss pills hand, and secondly, those Jewish families dispossessed of their works of art by the Germans during the war and accusing Wildenstein family have collaborated with the Nazis at their expense.
Daniel Wildenstein is not an art historian of the ordinary. Personally with more work than many museums, he was an astute businessman but also a little short on scholarly knowledge.
Publications

Monet , Taschen
Paul Gauguin, the first route of a savage , Skira
Monet or the triumph of Impressionism , Taschen
Monet, Catalogue raisonné , Taschen
Art dealers (with Yves Stavridis), Plon
Renoir , of Vergennes
Monet , of Vergennes
Seurat , in Vergennes
Gauguin (with Raymond Cogniat)
Odilon Redon, portraits , Arts Library